You are Creative. Yes, You Are.
This was posted by Randy Ingermanson last week and I want to share it here. And this applies to everybody, not just writers.
Your Creative Superpowers
If you’re a human being, then you’re creative.
If you’re a novelist, then you’re very creative.
There are actually a number of different ways to be creative. Most novelists excel at some of them. Most novelists are weak in others. I like to think of the various modes of creativity as
I suspect that your total creative ability isn’t just the sum of your creative superpowers.
I suspect that your total creative ability is more like the multiplication of your creative superpowers.
The reason is because when you want to create something new, you typically need to work through a whole chain of creative tasks, each using a different creative superpower. The more creative each link in the chain, the more creative the final result.
The bad news is that creativity is hard to outsource.
The good news is that you can learn to be more creative.
To do that, you need to understand what the various creative superpowers are and then exercise your creative muscles to develop those superpowers.
I’ve been reading a book lately on creativity, YOUR CREATIVE BRAIN, by Shelley Carson, Ph.D.
Dr. Carson identifies seven different creative superpowers (she calls them “brainsets” in analogy to the word “mindset”, but my inner geek responds better to the phrase “creative superpower” so that’s what I’ll use here.)
YOUR CREATIVE BRAIN helps you figure out which creative superpowers you’re naturally good at. More important, it has exercises to help you develop your strength in each of them.
What are those creative superpowers? Here’s a rough description of each one:
* The “Absorb” superpower is the one you use when you see the world around you in a creative way. You are absorbing apparently useless information and finding an unexpected use for it.
Alexander Fleming was doing experiments on bacteria and found that they weren’t growing well in a lab dish that had been contaminated with a certain kind of mold. He realized that this could be useful and invented penicillin.
George de Mestral was brushing burrs out of his dog’s fur and realized that the annoying little things would make an amazing fastener. That led him to invent Velcro.
* The “Envision” superpower is the one you use to imagine “being there,” complete with the sights, sounds, smells, and feelings of whatever “there” is. It’s also the superpower a mechanic uses to mentally rearrange the parts on a car. When you read a novel and “see” the story, you’re using your Envision superpower.
I remember helping friends move into their house. When I carried some boxes upstairs, I found that two guys had spent about twenty minutes trying to manhandle a desk through a narrow doorway, but it just wouldn’t go. They were arguing about whether to take the desk apart to get it through.
I immediately saw in my head a sequence of steps that I thought might work. It took me five minutes to convince them to let me try it. Two minutes later, the desk was in place.
* The “Connect” superpower lets you solve problems that are ill-posed and don’t have a unique answer. To use this superpower, your brain makes connections between things that don’t have any obvious relationship.
I used to interview potential software engineers for my company and my final question was always, “Name as many ways as you can to kill your manager with a doorknob.”
I was looking for engineers who could improvise. What I usually got was a disbelieving stare. Very few job candidates could come up with a single innovative murder method. (Most novelists can easily think of a dozen.)
I never identified any specially creative engineers using this question. But I did find quite a number of applicants who were incredibly eager to work on my team. Strangely, my CEO always seemed a bit nervous around me.
* The “Reason” superpower is the ability to use logic to solve problems.
Those pesky software engineers excel at using Reason. Novelists, not so much. When you read a story with an inconsistent plot, the author fell down on using his Reason superpower.
* The “Evaluate” superpower is the one you use when you’re editing your story. You make judgments on what’s good and what’s bad. Your job is to keep the good and replace the bad.
This superpower is easier to use on other people than on yourself. It’s obvious what the other guy is doing right — and doing wrong. But many novelists are too easy on themselves — or too hard.
* The “Transform” superpower is the one you use when you turn your horrible life experiences into a great story. There’s an old saying that nothing bad ever happens to a novelist because, in the end, it’s all research.
This superpower seems to be strongest in artists of all types — writers, painters, musicians. It lets us turn our ashes into diamonds.
* The “Stream” superpower is the one you use when you’re writing a first draft and you move into that zone where the words fly onto the page and time passes without you noticing.
Some writers never enter that zone. Others do it every time. Guess who enjoys the writing more?
Now here’s the important point. You’re strong in some of these creative superpowers and weak in others. That’s the way you are.
But it’s not the way you always have to be.
There are exercises you can do to increase your creative superpowers.
The book YOUR CREATIVE BRAIN has a number of exercises to help you boost each of your superpowers. And if you’re creative, you can easily think up new exercises, once you understand the principles.
My goal in the coming year is to build up all seven of my creative superpowers.
Want to join me? Check out Dr. Carson’s web site here: http://www.shelleycarson.com/
You may never look at a doorknob the same way again.
This article is reprinted by permission of the author.
Award-winning novelist Randy Ingermanson, “the
Snowflake Guy,” publishes the free monthly Advanced
Fiction Writing E-zine, with more than 32,000 readers.
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